Swati Khurana was profiled by Misha McGlown in OfNote Magazine.
by MISHA McGLOWN | THE IMMIGRANT ISSUE | SPRING, 2014
A bit from the article: “The bird cages appear almost pantheonic. One can only imagine if they are meant to protect memories, prevent them from flying away, or if they represent a sense of captivity in which one is held to enduring customs. This is where Swati’s work, at once, celebrates, questions and examines those rituals and traditions carried over from former lives and binding immigrant communities.”
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